composition

All performance materials (scores, parts, software, etc.) are available directly from the composer.
Please email Worthington with inquiries.

Chamber Ensemble

In(verse)Fragments (2009) 11 min.: for two clarinets (one doubling bass), soprano, and string trio; Listen to the piece. Peruse the score.

Infinitive (2009) 9 min.: for bass clarinet, trumpet, trombone, and baritone; Peruse the score.

Prism (2010) 12 min.: for three double basses; Listen to the piece. Peruse the score.

Six Shades of Gray (2009) 10 min.: for flute, guitar, and double bass; Listen to the piece. Peruse the score.

Tautology (2007) 6 min.: for amplified harp (with overdrive) and amplified violin, viola, cello, and double bass; Listen to the piece.

Wind Quintet (2008) 20 min.: for flute/alto flute, oboe/english horn, clarinet, horn, and bassoon; Listen to an excerpt.

Chorale and Coda (2007) 2 min. (excerpts from Abstraction I): for carillon

Etudes for Composer (2007- ) 8 min. (ongoing work containing ~2 min pieces): for violin; else (2007), Fivenine (2007), Opacity (2008), IV (2008), ...; Listen to Opacity.

Four Instances (2007) 5 min.: for guitar; Listen to the piece.

Frozen Landscapes (2009) 12 min.: for solo percussion; Peruse the score.

Or (2008/9) 4 min.: for tuba; Peruse the score.

Three Notions (2008) 2 min.: for alto flute; Listen to the piece. Peruse the score.

Abstraction I (2007) 9 min.: for carillon and electronics (SuperCollider 3); Listen to the piece.

Abstraction II (2008) 11 min.: for piano and electronics (SuperCollider 3); Listen to the first and second movements. Peruse the score.

A Few Kites (2010) 4 min.: for trumpet, violin, and electronics (SuperCollider 3)

GS 1 and 2 (2008) 2 min.: 2-channel playback (Pure Data); Listen to GS 1

Lullaby (2008) 7 min.: for ambisonic electronics (SuperCollider 3); Listen to a stereo version.

The Hollow Men (2006, revised 2008) 4 min.: for double bass and electronics (SuperCollider 3)