Scott Worthington - Bassist/Composer

compositions

All performance materials (scores, parts, software, etc.) are available directly from the composer.
Audio files are mp3s. Higher quality recordings are available. Please email Scott with all inquiries.

View by Medium | View Chronologically

A Few Kites (2010) 4 min.
for trumpet, violin, and electronics (SuperCollider 3)
Peruse the score.
 
Prism (2010) 12 min.
for three double basses
Listen to the piece. Peruse the score.
 
Frozen Landscapes (2009/10) 12 min.
for solo percussion and optional electronics (SuperCollider 3)
Peruse the score.
 
Infinitive (2009) 9 min.
for bass clarinet, trumpet, trombone, and baritone
Peruse the score.
 
In(verse)Fragments (2009) 11 min.
for two clarinets (one doubling bass), soprano, and string trio
Listen to the piece. Peruse the score.
 
Six Shades of Gray (2009) 10 min.
for flute, guitar, and double bass
Listen to the piece. Peruse the score.
 
Or (2008/9) 4 min.
for tuba
Peruse the score.
 
GS 1 and 2 (2008) 2 min.
2-channel playback (Pure Data)
Listen to GS 1
 
Three Notions (2008) 2 min.
for alto flute
Listen to the piece. Peruse the score.
 
Abstraction II (2008) 11 min.
for piano and electronics (SuperCollider 3)
Listen to listen to the first and second movements. Peruse the score.
 
Wind Quintet (2008) 20 min.
for flute/alto flute, oboe/english horn, clarinet, horn, and bassoon
Listen to an excerpt.
 
The Hollow Men (2006, revised 2008) 4 min.
for double bass and electronics (SuperCollider 3)
 
Lullaby (2008) 7 min.
4-channel playback (SuperCollider 3)
Listen to a stereo version.
 
Etudes for Composer (2007- ) 8 min. (ongoing work containing ~2 min pieces)
for violin
else (2007), Fivenine (2007), Opacity (2008), IV (2008), ...
Listen to Opacity.
 
Chorale and Coda (2007) 2 min. (excerpts from Abstraction I)
for carillon
 
Abstraction I (2007) 9 min.
for carillon and electronics (SuperCollider 3)
Listen to the piece.
 
Four Instances (2007) 5 min.
for guitar
Listen to the piece.
 
Tautology (2007) 6 min.
for amplified harp (with overdrive) and amplified violin, viola, cello, and double bass
Listen to the piece.
 

top