In 2015 I’m releasing (via bandcamp) a little experiment/idea/test track on the 15th of each month.
It’s quite noisy like the first, but the original source sounds come from a recent solo bass recording session I did rather than a synthesizer. Most of the processing was done in SuperCollider with a little editing and EQ within Pro Tools.
In case anyone is interested, I have made most of my scores available for purchase. You can read about payment and delivery details on this page and look at my list of works here.
In 2015 I’m releasing (via bandcamp) a little experiment/idea/test track on the 15th of each month. That means the first track was posted today!
I’ve been working on a large piece using a Moog synth, processing it with the computer in both SuperCollider and Pro Tools. For this track I took a short synth sample I recorded and experimented with some different kinds of processing (time stretching, filtering, reverb, etc) using Pro Tools. Some of the ideas might make it into the large work, it’s unclear. I guess that’s why it’s an experiment.
Hope you enjoy it.
Welcome! Here it is! 2015 brings a new look (with colors!) and some more photos as well as my inevitable giving-in to a content management system which will organize and display everything much more easily for me.
Happy new year!
I have a couple of exciting upcoming concerts. First are two performances with a brand new conductorless chamber orchestra, Kaleidoscope. We’re playing Copland’s Appalachian Spring and Beethoven’s Seventh Symphony in Pasadena and Santa Monica on November 21st and 23rd.
Second, I’ll be playing on the series Tuesdays @ Monk Space on December 9th. The concert features the Lyris Quartet, Gnarwhallaby, Sara Andon, Elissa Johnston, and me performing works by Marina Khorkova, Helmut Lachenmann, and Carola Bauckholt. Andon and I will perform Khorkova’s a_priori.